INCITE JOURNAL OF EXPERIMENTAL MEDIA: THE EXHIBITION GUIDE
January 19, 2014 
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In the long-awaited, 280-page “Exhibition Guide’ issue of INCITE, I have an article on the Rise and Fall of Blue Sunshine, alongside an impressive roster of fellow contributors that reads like a who’s-who of the microcinema world.
You can order it HERE. (Update Jan 22, 2014: I have been informed that the first printing is now sold out, but that a second printing is in the works!)
Complete contents include:
| Brett Kashmere and Walter Forsberg | Introduction |
Microcinemas |
| Steve Anker | Experimental Media Centers across the USA: A Personal History |
| Ed Halter | Head Space: Notes on the Recent History of a Self-Sustained Exhibition Scene for American Experimental Cinema |
| David Sherman and Rebecca Barten | Small is Beautiful |
| Jeanne Liotta | Firefly Cinema (or Cinema for the People) |
| Sharon Johnson | Recollections of The Standard Movie House |
| tENTATIVELY, a cONVENIENCE | Meanderthals in Motion (Pictures) |
| John Porter | A Brief History of The Funnel Experimental Film Theatre |
| Tara Merenda Nelson | Saul Levine and MassArt Film Society |
| Alex MacKenzie | Microclimate: Vancouver, 1995-2003 |
| David Cox | Building Community through Microcinema: Other Cinema and Me |
| Alain LeTourneau | A Brief History of 40 Frames Exhibition Series |
| John Porter | Martin Heath’s CineCycle |
| Michael Johnsen and Greg Pierce in conversation with Adam Abrams |
Pittsburgh’s Orgone Cinema: A Deadly Serious Joke |
| David Nelson | minicine?, 1995 to… (An explanation of the minicine? question mark)… |
| Bryan Konefsky | Basement Films |
| Donna de Ville | To Pop-up and Back: A Micro-history of Aurora Picture Show |
| Gordon Nelson | What was Jefferson Presents…? |
| Jesse Malmed | An Anecdotal Collage History of Portland Experimental Media Culture, 1997-2012 |
| Brian L. Frye | On the Origins of the Robert Beck Memorial Cinema |
| Tess Takahashi | Magic Lantern: Interviews with Ben Russell and Josh Guilford |
| Christy LeMaster | An Oral History of The NIGHTINGALE |
| Scott Miller Berry, Chris Kennedy and Kate MacKay |
Early Monthly Segments |
| Kier-La Janisse | Blue Sunshine: The Life and Death of a Microcinema |
| Kate Ewald | Do It Yourself (with Others) |
| Marcus Rosentrater | Contraband Cinema |
| Melissa Ragona | Union Docs: UnDoing Documentary |
| Spectacle | The Telling of the Lore: A First-Person History of Brooklyn’s Spectacle |
| Light Industry | Portfolio |
| WEB EXCLUSIVE | |
| Roger Beebe | Afterthoughts on an Era: Flicker Film Festival (Chapel Hill) |
Mobile Cinemas |
| Bill Daniel | Who is Bozo Texino, Film Touring 2005-2010 |
| Adelheid Heftberger | Soviet Agit-Trains from the Vertov Collection of the Austrian Film Museum |
| Alice Moscoso | La Cyclo-Cinematheque: An Interview with Bill Brown and Sabine Gruffat |
| Audrey Young | Cine Movil Mexico |
| Alice Moscoso | Tunnel Vision: A Film Event Inside the World’s Oldest Subway Tunnel |
| Bill Brand | Masstransiscope |
| Theo Michael | Tales from a Balkan VJ |
| The Flinching Eye Collective | Atemporal Radio Tour: A Traveling Sound Performance |
Expanded Cinemas |
| Bradley Eros | Hystery is Made at Night: Mercurial Cinema is Written on Ether (Evidence of RBMC) |
| Jonathan Walley | Re-creating Expanded Cinema |
| Elena Gorfinkel | Film After Cinema: Sandra Gibson and Luis Recoder’s Light Spill and Museological Materialism |
| Sabrina Gschwandtner | Film Quilts |
| Richard Kerr | Motion Picture Weavings |
| Walter Forsberg and Clint Enns | Digital Preservation |
| Walter Forsberg | God Must Have Painted Those Pictures: Illuminating Auroratone’s Lost History |
Projecting |
| Sandra Gibson and Luis Recoder | Notes on “Perfect Projection” |
| Caroline Martel | The Film Prayer |
| Sarah Halpern | Shoes, Cars, Filth and Film Projection: The Language of Anxiety Dreams |
| 40 Frames | Projector Image Size Calculation |
| Recommended Portable 16mm Projectors | |
| Screen Luminance Guide | |
| Print Handling / Print Inspection Report Form | |
| Christina Battle | DIY Screening Checklist |
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About the author:
Kier-La Janisse is a film writer, internet pharmacy propecia publisher, producer, acquisitions executive for Severin Films and an Adjunct Associate Professor in the School of Communication and Creative Arts at Deakin University. She is the author of Cockfight: A Fable of Failure (2024), House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films (2012/2022) and A Violent Professional: The Films of Luciano Rossi (2007) and has been an editor on numerous books buy cialis online with no prescription including Warped & Faded: Weird Wednesday and the Birth of the American Genre Film Archive (2021) and Satanic Panic: Pop-Cultural Paranoia in the 1980s (2015). She wrote, directed and produced the award-winning documentary Woodlands Dark and Days Bewitched: A History of Folk Horror (2021), and produced the acclaimed blu-ray box sets All the Haunts Be Ours: A Compendium of Folk Horror (2021) and The Sensual World of Black Emanuelle (2023).
