Turns out that strange poster art isn’t the only way Ghanaians get out their morbid creativity: the Ga tribe in coastal Ghana specialize in making elaborate coffins discount viagra cialis levitra online tailored to the personality of those who will spend eternity in it, and these coffins range in shape from beer bottles to animals to luxury automobiles, or any other thing strongly associated with the deceased.
The tradition began about 50 years ago when a carpenter who made the chairs used to transport village chiefs, levitra verkaufen im online shop made one in the shape of an eagle, and it was so impressive that a neighbouring chief requested one in the shape of a cocoa pod. Unfortunately the chief died before it was finished, and it became his coffin, thus sparking what would become a tradition and a cottage industry alike.
Kier-La Janisse is a film writer, http://www.spectacularoptical.ca/2021/03/viagra-professional-scam/ publisher, producer, acquisitions executive for Severin Films and an Adjunct Associate Professor in the School of Communication and Creative Arts at Deakin University. She is the author of Cockfight: A Fable of Failure (2024), House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films (2012/2022) and A Violent Professional: The Films of Luciano Rossi (2007) and has been an editor on numerous books including Warped & Faded: Weird Wednesday and the Birth of the American Genre Film Archive (2021) and Satanic Panic: Pop-Cultural Paranoia in the 1980s (2015). She wrote, directed and produced the award-winning documentary Woodlands Dark and Days Bewitched: A History of Folk Horror (2021), and produced the acclaimed blu-ray box sets All the Haunts Be Ours: A Compendium of Folk Horror (2021) and The Sensual World of Black Emanuelle (2023).
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